In the temple architecture the main room stands at a considerable distance from the garden; so dilute is the light there that no matter what the season, on fair days or cloudy, morning, midday, or evening, the pale, white glow scarcely varies.
[here the sun does not enter] brings forth an ambience reminiscent of shadows dwelling in quiet alcoves. The exhibition arises from a thoughtful collaboration between two artists, whose distinctive practices become temporarily interwoven within gestures of appropriation, abstraction and inscription. It stages artefacts, extracts and combinations of data from the ancient or recent past; yet as in a moment of reverie, the preceding, the present and the projected lie folded, intimately touching.
Read the full text by Hanna Laura Kaljo here: assemblypoint.xyz